An Invocation to Avan Yazad — Benevolent Angelic Divinity (Yazata) of All Waters, Parsee Gate, Marine Drive
An
Invocation to Avan Yazad — Benevolent Angelic Divinity (Yazata) of All Waters
Parsee
Gate, Marine Drive
The Parsee Gate on Marine Drive stands as a
quiet yet powerful symbol of Mumbai’s Zoroastrian heritage. The structure
consists of two obelisks, each about five metres high, carved from yellow Malad
stone and adorned with Zoroastrian motifs. (Malad stone, a yellow trachyte
quarried from the Mumbai suburb of Malad, was widely used in the construction
of many Neo-Gothic buildings across the city.) Between the two pillars are
steps leading down to the beach — once popularly known as Chhota Chowpatty,
to distinguish it from the larger Girgaon Chowpatty at the northern end of
Marine Drive.
The Gate’s current location is about 70 metres
north of its original site, where it was first erected in 1915–16. It was
relocated in April 2021 and restored in October 2024, following construction
work on the coastal road at Marine Drive. The monument is attributed to two
notable figures — Pallonji Mistry, patriarch of the Shapoorji Pallonji
business house, and Seth Baghoji Keer (1867–1941), a self-made
contractor and philanthropist originally from Ratnagiri. Keer rose to
prominence in Bombay’s building trade and became a respected social leader,
constructing several dharamshalas (pilgrim rest houses) at holy sites
such as Alandi. A street in Mahim is named in his honour.
Zoroastrian motif at the upper end of each pillar of the Parsee gate.
The area we now know as Marine Drive emerged from the Backbay Reclamation Project, which involved the construction of the Kennedy Seaface between 1915 and 1920.
Before this development, the sea extended right up to the railway line running past Churchgate towards Colaba. The elegant row of buildings now forming the “Queen’s Necklace” did not exist then; instead, there was a rocky shingle beach, with a sandy stretch only at the far end — today’s Chowpatty Beach.
Historically, Hindus too used this access
point to the sea to make offerings on Poornima (Full Moon) days and to
immerse the ashes of loved ones cremated at the nearby Chandanwadi crematorium.
Facing the open sea, the Parsee Gate offers
panoramic views of Mumbai’s coastline. Looking right, one can see the
Walkeshwar promontory with Raj Bhavan standing at its seaward edge; to
the left rises the modern skyline of Nariman Point. The canopy of the
underground coastal road now ends just a few metres before the relocated Gate.
Avan Yazad: The Zoroastrian Divinity of Waters
In Zoroastrian cosmology, divine beings are
divided into two hierarchies — the Ameshaspands and the Yazads.
- The Ameshaspands, seven in number, are the highest spiritual
entities created by Ahura Mazda. They personify divine virtues, spiritual
powers, and aspects of material creation. Each Ameshaspand is opposed by
an evil Daeva and assisted by several subordinate Yazads known as ham-kars.
- Each day of the Zoroastrian month is dedicated to one of these
Ameshaspands or Yazads.
Among these, Avan Yazad (Yazata
Ardvi Sura Anahita) is revered as the benevolent angelic divinity presiding
over all waters — celestial, terrestrial, and bodily. She governs natural and
vital fluids such as rivers, rain, blood, sap, and even reproductive and
digestive fluids. Avan Yazad is invoked for fertility, childbirth, and overall
health, particularly concerning the elements of water and blood. She symbolizes
purity, fertility, and life itself.
Also known as Ardvi, Ardvisura,
or Anahita, she is believed to have been associated with the ancient
Oxus River (modern Amu Darya), which flows from the Pamir Mountains into the
Aral Sea in Central Asia. Avan Yazad is the only Yazata whose physical features
and attire are vividly described in the Avesta, the sacred Zoroastrian
scripture. Her likeness appears on coins from the Sassanian period
(224–651 CE), particularly those of the Kushan-Sassanian kingdom in Central
Asia.
Today, the Parsee Gate remains not only a heritage monument but also a serene spiritual space where the city meets the sea. As the sun sets over the horizon, the sky turns from blue to gold to deep grey — a fitting tribute to the eternal rhythm of water, light, and life that Avan Yazad represents.













Love the article, insightful.
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